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POETRY

COLLECTIONS

I come from women of corn and cotton fields / of machete and fire / of water and stone / I am the daughter of a river and mango tree / my tongue came to me through the jocote seed / my heart belonged to the ocean / before it found my body 

published in 2017 by Not A Cult Media

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Corazón is a love story. It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn’t enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.

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While most of us would like to fast-forward through romantic breakups, zooming straight past the tight chest, stomach knots, and weak bones, Poet Yesika Salgado is commemorating the anguish. — Bustle

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published 2018 by Not A Cult Media

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Tesoro is a story of family, survival, and the formative power of the women in Salgado’s life. It is a telling of the balance between love and perseverance. Tesoro is an unearthing of the sacred connections that make a person whole; the treasure we forever keep with us when we learn from those we love, when we mourn those we’ve lost, and what grows in between.

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“This is the moment that leads you to take a harder look at yourself and how you have ultimately been shaped by everything that came before you. This is the moment, these are the feelings; this is Yesika Salgado’s Tesoro.”
— NPR Books

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published 2019 by Not A Cult Media

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Hermosa is the path to becoming one’s own home. A thread pulled when Salgado thinks about who she is and who she has been. Beyond the survival, grief, and fight, Hermosa lives in the small moments hidden beneath it all. A journey of firsts, of mistakes, of celebrations, of the love, the crush, the disaster, the rebuilding, and the never-ending cycle of growth.

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“[Salgado] stayed true to her voice, and it has paid off.”

— Los Angeles Times

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